Beautifully crafted dance films & cinematic ballet experiences
FEATURES
The dancers in Breathless are symbols of the themes that run through every relationship, such as balance, power, trust, and greed. The film is created as an infinite loop and shot in a fully enclosed circular space, reflecting the cyclical nature of life and relationships.
Choreographers: Nicholas Shoesmith & Madeline Squire
Director: Eve McConnachie
Dancers: Harvey Littlefield & Evan Loudon
Music: Carlo Ascrizzi Supported by Burness Paull
This powerful new digital ballet, Abyss, delves into mental health and the desire to escape one’s own mind. The work presents a thought-provoking experience that combines stunning choreography, evocative music and an intimate, cinematic approach to the storytelling through dance.
Abyss features Company Dancers Jaison McClendon and Anneliese Guerin, and is set to the timeless Concerto in D minor- II. Adagio by Johann Sebastian Bach, performed by renowned pianist Alessandra Volpi.
Filmed in the heart of Nashville, the production takes full advantage of the stunning capabilities of the Kingswood Production Studio on 12th Ave. South with video director Chad Driver at the helm.
The iconic Merce Cunningham and the last generation of his dance company is stunningly profiled in Alla Kovgan’s documentary.
Doppelgänger Dances explores aspects of doubles. I’ve long had a fascination with doppelgänger stories (those written by Dostoevsky, Gogol, and Poe in particular): the conflicted soul, the intertwined dance of good and evil, questioned reality; and the musical use of the double: a variation, usually twice as fast as the original movement, with notable practitioners such as Bach, Handel and Biber, among many others. In my piece, I play with the idea of musical doubles, creating variations on thematic material quoted from my earlier composition, William Wilson, which includes text and takes its title from Edgar Allan Poe’s doppelgänger tale. Doppelgänger Dances was written for my better half, violinist Michael Jinsoo Lim. —Melia Watras
Dancer turned director Ezra Hurwitz and Ailey II artistic director Francesca Harper feature movement as museum pieces against the Whitney Museum of American Art’s striking architecture for short film Echoes of Ailey. Commissioned to celebrate Edges of Ailey, the film accompanies the first large-scale exhibition on the life and enduring legacy of visionary artist and choreographer Alvin Ailey, currently on view at the Whitney.
Animating iconic images from Alvin Ailey’s 20th-century repertory, the film expands on the exhibition by constructing a visual narrative around his storytelling and influences. Set to Radiohead’s “Everything In Its Right Place,” dancers from the Alvin Ailey American Dance Theater, Ailey II, and The Ailey School capture the emotional core of the company’s history—physically situating Ailey’s masterworks amongst the Whitney’s collection.
OBT2, the highest level of OBT School, serves as OBT’s second company of 12–15 dancers, providing a high-level training to facilitate the transition from student to professional dancer with consistent performance experience with our main company. Participation is one to two years; students’ placement in the program is evaluated every year.
75 years of New York City Ballet. Where do we begin to express the magnitude of this moment? Take it from the source as a collective of NYCB artists and affiliates spanning generations endeavors to quantify the scope of the institution’s legacy.
The Olympic Flame and ballet come together. The Cultural Olympiad carried by Paris 2024 transformed the Place de la Bastille into an open-air stage, featuring Swans from Nureyev’s ballet Swan Lake.
As Dance Theatre of Harlem joyously commemorates 55 years of Arthur Mitchell’s enduring legacy, and what would have been his 90th birthday, their 2024 New York Season celebrates the indelible mark he left on the world of dance.
Fans of Ru Paul’s Drag Race will immediately recognize season 14’s majestic contestant Lady Camden in this dance profile directed by filmmaker Luke Willis. I Don’t Need a Reason is one of six collaborative short films, which Willis has directed to accompany specific episodes from the current season.
As New York City Ballet celebrates the Evolution of their Company’s artistry this winter, audiences will bear witness to the evolution of an artist when Principal Dancer Tiler Peck presents her choreographic debut for NYCB.
The joy of The Nutcracker has found its way into The White House this holiday season! Enjoy some toe-tapping fun as you celebrate the season.
Frontiers explores outdated gender norms inherent in the classical ballet industry. Directed by Eve McConnachie and choreographed by San Francisco Ballet dancer Myles Thatcher, the short film is set to ‘Make a Move’ from Edinburgh based artist Callum Easter’s debut album.
Swan Song, a new feature documentary following the creation of Karen Kain’s farewell production of Swan Lake.
Let’s take it back to 1948 with this iconic ballet in miniature from The Red Shoes, starring the unforgettable Moira Shearer.
Performing the 2022 work’s central solo with direction by Saela Davis and Anna Rose Holmer, Principal Dancer Taylor Stanley takes center stage, dancing amidst the beaux-arts grandeur of the Weylin in Williamsburg.
A new film soon to come to Disney+ follows Anthony Madu as he leaves his family and community in Nigeria to study in England.
The Country Music Hall of Fame and Museum and Nashville Ballet celebrated the centennial birthday of the late Country Music Hall of Fame member Chet Atkins by co-creating this original ballet performance video, set to Atkins’s recording of “Jitterbug Waltz” from the 1959 album “Chet Atkins in Hollywood.”
Explore the history of The Joffrey Ballet, from being the first dance company to perform at The White House to creating a ballet set to rock music, the Joffrey has surely left a mark on the history of dance.
A heartfelt video tribute to Stanton Welch’s 20 Years leading Houston Ballet.
Infuse your day with fresh energy by meeting the dancers of the American Ballet Theatre Studio Company in this lighthearted and irresistibly toe-tapping film.
Back for a second year, the Sensory Friendly Nutcracker performance is designed to create a welcoming performing arts experience for people with autism, sensory input disorders, sensory sensitivities, or other physical, cognitive, or developmental disabilities, and their families, friends, and caretakers.
Teasers of upcoming performances with season & ballet trailers
TRAILERS
Twyla Tharp’s American masterpiece Nine Sinatra Songs is still sharp 40 years after its premiere. In it, Tharp effortlessly floats between dance genres, set to the familiar strains of Frank Sinatra hits. Two pieces from innovative choreographers Rena Butler and PNB’s own Kiyon Ross round out the program, and promise to connect us with our inner desires while allowing us to touch the stars.
Check out Ballet Austin’s 2025–26 Season!
Video by Paul Michael Bloodgood.
Boston Ballet reaches for the stars in the 2025–2026 season with an ambitious slate of spectacular dance. Whether you love getting swept away by the classics or enjoy the energy of the Experiences, dare to dream as they embark on this visionary season.
Video by Ernesto Galan
The original star-crossed lovers are back on the McCaw Hall stage. Jean-Christophe Maillot’s adaptation of Shakespeare’s Romeo and Juliet distills this tragedy to its most moving, timeless core. Watch as young love blooms, grows, and overwhelms in this magnetic refresh of the classic story. Featuring emotional performances by PNB Company dancers and Prokofiev’s powerful score masterfully rendered by the PNB Orchestra, you won’t want to miss this spring offering.
Get ready for sparkle, charm, tragedy, and so much more next season at Pacific Northwest Ballet.
1️⃣ George Balanchine’s JEWELS
2️⃣ IN THE UPPER ROOM
In the Upper Room // The Window // World Premiere by PNB Company dancers Christopher D’Ariano and Amanda Morgan
3️⃣ CINDERELLA
4️⃣ FIREBIRD
Firebird // Little mortal jump // Red Angels
5️⃣ GISELLE
6️⃣ ALL LANG
Her Door to the Sky // Ghost Variations // ZigZag
A new season awaits! From fiery love triangles and dark, haunting tales to holiday magic and timeless romance, each performance will sweep you off your feet. With unforgettable choreography and iconic scores, prepare for a season of classic stories brought to life alongside bold new works and exciting company premieres.
Filmed by Arian Molina Soca, with performance footage by Alexander Iziliaev Featuring (in order of appearance): Executive Director Shelly Power, Charles Askegard, Nayara Lopes, Dayesi Torriente, Zecheng Liang, Laura Bowman Goldstein, Yuka Iseda, Ashton Roxander, Sterling Baca, Sydney Dolan, Mayara Pineiro, and Jack Thomas
Celebrate Valentine’s Day with excitement, elegance, and a trio of exceptional dances performed by Ballet Austin—Christopher Wheeldon’s Polyphonia, Stephen Mills’ Desire, and Jessica Lang’s ZigZag.
Hear Artistic Director Garrett Anderson, Associate Artistic Director Anne Mueller, and Soloists Cydney Covert and Anissa Bailis chat about what makes The Nutcracker such a treasured tradition for dancers and audiences alike.
The irresistible holiday tradition of George Balanchine’s The Nutcracker® returns to Portland’s Keller Auditorium!
Join Marie and her Nutcracker Prince as the mischievous Drosselmeier sends them on a magical adventure. Brave toy soldiers battle villainous mice, candy canes leap and snowflakes whirl, all to Tchaikovsky’s wonderous score—and don’t forget about a Portland Holiday favorite, Mother Ginger!
This program highlights the range and creativity George Balanchine brought to all of his work, and how he used the music of Vivaldi, Corelli, Prokofiev, and Stravinsky to inspire and influence his choreography.
This meeting of music and dance is as thought-provoking now as it was when Balanchine created these now-classic ballets. Don’t miss this intriguing blend of American folk dance (Square Dance), dramatic parable (Prodigal Son), and ballet blockbuster (Stravinsky Violin Concerto).
Hansel and Gretel’s black-and-white world explodes with color—and candy—when they meet a witch in the woods in this hit ballet from Australian choreographer Loughlan Prior. Featuring an original score from Claire Cowan and a captivating silent-film-aesthetic, this fresh take on the famous fairy tale delivers the perfect amount of October spookiness.
Don’t miss the first production of Ballet West’s 2024–25 season, Val Caniparoli’s Jekyll & Hyde—a dramatic and intense exploration of the dark side of the human psyche.
Tickets are on sale for the 2024–2025 season! Explore Boston Ballet’s six mainstage programs and plan your trips to the theater with family and friends.
Creative innovations. Fresh takes. Revered classics. The 2024–2025 Texas Ballet Theater season is here! What are you most excited to see?
Step into the world of contemporary ballet with three spectacular choreographers. Jessica Lang will debut a brand-new work, her first contribution as PNB’s new Resident Choreographer. Add the color and vibrancy of both Edwaard Liang’s The Veil Between Worlds and Justin Peck’s The Times Are Racing and you’ve got a recipe for an invigorating trio of ballets.
We are thrilled to announce our return to the David H. Koch Theater for our Fall season, October 16–November 3, 2024. ABT’s programming brings you seven ballets plus assorted pas de deux across four different programs.
BELLE / A Tale of Beauty & the Beast is a contemporary ballet that reexamines the timeless story of Beauty & the Beast in a very non-traditional way. Artistic Director Stephen Mills, Composer Graham Reynolds, and Production Designer Michael B. Raiford have created a provocative and sensual retelling of this famous romance with sets and costumes that project fantastical, Alexander McQueen–type elements against a gritty, minimalistic backdrop. The look and feel of the production, while very contemporary, was heavily influenced by the 1946 film noir, La Belle et la Bête, by French filmmaker Jean Cocteau, and many stylistic elements, including the lighting design, are reflective of that ground-breaking movie.
The 2024 Vail Dance Festival kicked off with an experience that was uniquely Vail with dancers and musicians coming together for a night of world-class artistry and entertainment under the stars! This year’s opening night celebration included artists from around the country and around the world and an all-star cast of George Balanchine’s landmark ballet Serenade with the National Repertory Orchestra performing live!
The Vail Dance Festival returns July 26 – August 5 with THIRTEEN performances featuring dance luminaries from across the United States and around the world. This summer we will welcome Dance Theatre of Harlem, Limón Dance Company, Cleo Parker Robinson Dance, Colorado Ballet, and DanceAspen, as well as artists from Alonzo King LINES Ballet, American Ballet Theatre, BalletX, National Ballet of Canada, New York City Ballet, Philadelphia Ballet, Royal Danish Ballet, as well as a range of extraordinary independent artists.
Oregon Ballet Theatre’s rich legacy of exciting dance continues this season with captivating stories, fresh narratives, and stellar performances.
Saint Louis Ballet has announced their 24/25 season lineup, featuring a breathtaking blend of classical and contemporary ballet, such as iconic works by George Balanchine, innovative pieces by Christopher Wheeldon, the mesmerizing choreography of Justin Peck and Christopher D’Amboise, an homage to the iconic music and dance of the American musical theatre, and the beloved tradition of The Nutcracker.
Set sail into adventure with Philadelphia Ballet’s 2024/2025 Season. Classic tales of forbidden love, longing, magic, broken promises, and deception are accentuated by virtuosic new works and company firsts. Don’t miss out on this extraordinary season as they continue to celebrate 61 years of excellence and a decade of artistic brilliance under Angel Corella’s direction.
Love is in the air as American Ballet Theatre returns to the Metropolitan Opera House stage for a spectacular 2024 Summer season. A season full of unforgettable stories and popular favorites that are sure to leave you dazzled. Join them this summer for performances that promise to delight, to inspire, and to move.
“Boston Ballet’s monumental 60th season will bring together a dynamic range of repertoire, showcasing the best of the past, present, and future of our artform,” said Artistic Director Mikko Nissinen. This season trailer gives us a taste of the excitement that is to come.
Hot on the heels of their revolutionary Mere Mortals, San Francisco Ballet looks to be a bold leader in the next chapter of ballet. Here’s a tantalizing taste of what they envision that to be.
When a silent beauty appears on the balcony of toymaker Doctor Coppelius’ workshop, it spells trouble for sweethearts Swanilda and Franz: he’s smitten and she’s determined to confront her rival and win back her beau. With spirited mime, bravura dancing, and Léo Delibes’ famously melodic score, Coppélia is one of ballet’s greatest comedies and perfect for all ages.
Ballet Idaho’s The Gathering Dark, featuring two world premiere pieces by renowned choreographers Joseph Hernandez and Penny Saunders and a restaging of Dreamland by Danielle Rowe, will no doubt be the perfect goosebump-inducing addition to the season.
By the light of Ming Cho Lee’s luminous moon, let our flock of ethereal swans transport you to the wondrous world of Kent Stowell’s Swan Lake.
Oregon Ballet Theatre’s second installment of MADE IN PORTLAND is lovingly crafted for the cultural explorers who make their city great. Ballet is ever-evolving, and OBT is leading the way with three locally-made world premieres.
American Ballet Theatre presents the North American premiere of Wayne McGregor’s Woolf Works. With music by Max Richter, Woolf Works recreates the emotions, themes, and fluid style of three of Virginia Woolf’s novels: Mrs. Dalloway, Orlando, and The Waves.
Awaken your passion with Carmen featuring Jorma Elo’s Carmen, Florence Clerc’s Kingdom of the Shades, and an extraordinary score performed by the brilliant Boston Ballet Orchestra.
Crystal Pite’s captivating The Seasons’ Canon is back by popular demand! This mesmerizing work features 54 dancers moving as one organism to Vivaldi’s The Four Seasons, recomposed by Max Richter.
Don’t miss the return of Christopher Stowell’s highly acclaimed adaptation of this masterpiece. From the breathtaking opening to the heart-wrenching conclusion, Swan Lake will keep you on the edge of your seat.
Get a sneak peek of Ballet Austin’s Hamlet, a hauntingly beautiful exploration of passion and deceit will take your breath away.
Miami City Ballet’s Spring Mix features the company premiere of Alonzo King’s Following the Subtle Current Upstream, with eclectic scores by Grammy Award winner Zakir Hussain. Plus, George Balanchine’s mesmerizing Agon, a tour de force set to a groundbreaking Stravinsky score, and the world premiere of Delight by Brazilian-born choreographer Ricardo Amarante.
From Giselle to The Sleeping Beauty, Saint Louis Ballet’s 23/24 Season promises to be full of unforgettably beautiful ballet.
From long-standing family traditions to first trips to the ballet, George Balanchine’s The Nutcracker® at Pacific Northwest Ballet is ready to delight one and all.
Experience the magic of ABTMet23 as American National Ballet Company returns to the Metropolitan Opera House stage with a spectacular New York Premiere by two-time Tony Award winner Christopher Wheeldon, and three classic full-length ballets.
Nashville Ballet’s 23/24 Season already has us breathless. “This season highlights where we came from, where we are, and where we are going,” shared incoming Artistic Director Nick Mullikin.
Experience extraordinary in Tamara Rojo’s first season at San Francisco Ballet.
OBT Artistic Director Dani Rowe’s dramatic one-act ballet Wooden Dimes launches audiences into the tumultuous relationship of 1920’s-era chorus girl Betty Fine and her husband Robert, a passion ultimately ripped apart by resentment and jealousy.
A magical show that is a visual treat for all ages. Ballet Austin TWO delights with a production that turns darkness into a place to laugh, sing, clap, dream, dance, and do everything imaginable, except be afraid!
Four years after its originally scheduled PNB premiere, Alejandro Cerrudo’s complete One Thousand Pieces will finally take to the McCaw Hall stage to enthrall audiences.
Ballet Austin’s Stephen Mills explores the haunted life and works of celebrated author Edgar Allan Poe in his latest world premiere.
Boston Ballet’s The Nutcracker by Mikko Nissinen returns to the stage with beloved characters, glittering sets, and dancing that will lift your spirits.
The Mouse King is here to help get you in the Nutcracker spirit as he runs amok at the Touhill Performing Arts Center!
A treasured holiday tradition continues as Oregon Ballet Theatre returns George Balanchine’s The Nutcracker® to the Keller Auditorium.
Artistic Director Tamara Rojo has curated an exciting Season with world premieres, company firsts, and works rarely seen in the United States that balance innovation in choreography with a deeply held dedication to the classics.
From the twinkling lights, whirling snowflakes, and sparkling beauty of the exquisite sets and costumes comes the heart-warming story of young Clara and her nutcracker at Ballet Austin. Bringing the magic of the holiday season, the 61st annual production of The Nutcracker remains Austin’s longest-running live production.
A peek into ballet’s rich history, costumes, and more
BACKSTAGE
Artistic Director Mikko Nissinen takes you through the creation of his reimagined Raymonda, returning to the Citizen Opera House stage for Spring Experience. Check out the entire video series on Boston Ballet’s YouTube channel.
Video by Ernesto Galan
A celebration of all the expertise, time, and dedication of their artisans, this video from the National Ballet of Canada takes you into the wardrobe studio as a tutu is created for their recent performances of Swan Lake.
Videography: Paul McNulty.
Watch as hours of intricate prosthetic work and makeup artistry bring Frankenstein’s Creature to life. From bare skin to a fully realized monster, this time-lapse captures the extraordinary transformation of a dancer into Liam Scarlett’s haunting vision for Frankenstein. Witness the meticulous process that makes this iconic character so chilling on stage.
Join Texas Ballet Theater Soloists Amanda Fairweather, Adeline Melcher, Dara Oda, Samantha Pille, and Katelyn Rhodes, and Principal Dancer Alexandra F. Light, for a behind-the-scenes conversation about 2025 mixed repertoire International Woman.
Spend a day with Principal Artist Callum Linnane as he prepares for the demands of performing the title role in John Neumeier’s Nijinsky. From a morning ritual of coffee and records to pre-show meditations, find out how a professional ballet dancer spends the hours before the curtain goes up.
Callum Linnane grew up in Ballarat, Victoria. At the age of seven he began training in all styles of dance at the Ballarat Centre of Music and the Arts; he started ballet classes with Lauren Young at the age of eleven. Callum was accepted into The Australian Ballet School in 2008 and graduated dux with honours. He joined The Australian Ballet in 2015; he was promoted to coryphée in 2017, to soloist in 2018, to senior artist in 2021, and to principal artist in 2022.
Enter the colorful and creative world of Frida Kahlo with Annabelle Lopez Ochoa’s critically acclaimed Broken Wings. This mini masterpiece explores the life and art of the celebrated Mexican painter. An experience unto itself, it’s a unique opportunity to enter into the realms of the paintings themselves through the lens of Kahlo’s wildly creative spirit.
The Indianapolis Ballet partners with the Indianapolis Symphony Orchestra for the second year in a row to produce the classic Swan Lake. Conductor Jack Everly and Artistic Director Victoria Lyras chat about what makes these performances so exciting for all artists involved.
Austin Symphony Orchestra Music Director & Conductor Peter Bay leads you through the music of Love’s Gentle Spring, from Antonín Dvořák and Bryce Dessner to featured artists Quattro Mani (Susan Grace & Steven Beck).
Video Directed by Paul Michael Bloodgood
Edited by Jazz Collins
Dive into the details behind the classical masterpiece of Swan Lake. From the 4,000 crystal jewels on Odile’s tutu to her 32 fouettés, from the 600 yards of ribbon to the 34,000 feet of hand painted fabric, Boston Ballet’s production is a stunning blend of beauty, skill, and storytelling.
Daniel Kraus was a professional dancer for 20 years performing in companies like the Mediterranean Ballet, directed by Fernando Bujones, European Ballet, K-Ballet in Japan, and English National Ballet where he was a dancer for 17 years. After retiring from stage in 2020, he graduated with distinction from the Professional Award in Benesh Movement Notation followed by a postgraduate diploma by the Benesh Institute. He has been working as a Benesh Choreologist with the Royal Ballet since 2022. San Francisco Ballet sat down with him while he was in their studios setting Tamara Rojo’s Raymonda for the 24/25 Repertory Season.
Choreographer Gustavo Ramírez Sansano takes you behind the scenes on what changes he has made to CARMEN.maquia, and what it is about the story of Carmen that continues to fascinate us.
Join Principal Dancer Sasha De Sola as she steps into the legendary costumes of Manon, a ballet steeped in history and legacy. With the guidance of Nikki Bird from the Royal Opera House and Megan Gulla from San Francisco Ballet, Sasha tries on costumes worn by celebrated dancers, including Lauren Cuthbertson. These costumes, designed by Nicholas Georgiadis, carry decades of ballet tradition, passed from one star to the next. As Sasha reflects on her first encounter with Lauren, see how these iconic garments are tailored to perfection for her own performance in this timeless production.
Welcome to a behind the scenes glimpse at the brand new costumes for Pacific Northwest Ballet’s The Sleeping Beauty, photographed by Angela Sterling. This brand-new production promises to enchant with scenic design by Seattle glass artist Preston Singletary and costumes by Paul Tazewell (Wicked movie, PNB’s Swan Lake).
In 2020, Hope Boykin sat down for a chat with the legendary Judith Jamison about dancing Alvin Ailey’s Cry, the meaning behind the work, and more.
Opening photo by R. Faligant, all other photos by Jack Mitchell.
Join us for an unforgettable experience where there’s always something new to discover. Hear from both Artistic Director Mikko Nissinen and Principal Dancer Lia Cirio on what to look for each time you come back to see The Nutcracker.
Boston Ballet’s production crew has officially begun load-in at the Citizens Opera House for The Nutcracker! Take a behind-the-scenes look at the incredible setup that brings this timeless holiday classic to life.
Join San Francisco Ballet behind the scenes at the San Francisco War Memorial Opera House while hair and makeup artist Gerd Mairandres transforms Principal Character Dancer Ricardo Bustamante into the magical and mysterious Uncle Drosselmeyer.
In this behind-the-scenes video, join Sacramento Ballet’s Wardrobe Supervisor Sandra Manner as she shares a fascinating look into the stunning costumes for their upcoming production of Dracula. Running from November 1–3, these intricate designs play a key role in bringing the dark and seductive world of Michael Pink’s Dracula to life. Discover the artistry and detail that goes into dressing dancers for this spellbinding ballet!
This season, PNB’s costume shop is especially busy crafting the gorgeous designs of Paul Tazewell for our upcoming world premiere production of The Sleeping Beauty. In this video, get a peek behind the scenes into the wonderful world of costumes at PNB.
This installment of BEHIND THE BALLET dives into the complexities of Helen Pickett’s CRIME AND PUNISHMENT, which will make its World Premiere during ABT’s 2024 Fall season at the David H. Koch Theater from October 30–November 3. Explore the creatives, characters, and synopsis of this literature classic. This talk will leave you with much to think about and even more to see on stage.
Go behind the scenes of the Dancers and Dogs photography project by Kelly Pratt and Ian Kreidich. Part 1 shares some fun moments photographing dancers and dogs in St. Louis.
This extraordinary costume was designed by Serge Sudeikin for prima ballerina Tamara Karsavina for the 1913 ballet ‘La Tragédie de Salomé’, performed by Serge Diaghilev’s iconic Ballets Russes.
Gabrielle Chanel found kinship in the world of modern dance at a pivotal time, creating costumes that allowed performers to move freely, while bringing unprecedented liberty of movement into her own designs. The House of CHANEL continues this legacy today through ongoing support of the ballet in cities around the world.
In 1971, Dance Theatre of Harlem gave its very first performance in which every dancer’s tights and shoes matched their unique skin tones. From that moment, ballet would be forever transformed by the innovation of Llanchie Stevenson – a founding DTH Principal Dancer, DTH’s Wardrobe Mistress Zelda Wynn and DTH Co-Founder Arthur Mitchell.
Join Freed of London, one of the most iconic pointe shoe brands in the world, as they take you behind the scenes of the crafting process to show you what goes into making the magic of each balletic step on stage possible.
Christian Lacroix, the celebrated French designer renowned for his extravagant designs for his fashion house, brought his unique artistic vision to life through his stunning costume designs for the Paris Opera Ballet’s production of George Balanchine’s A Midsummer Night’s Dream.
Corps de Ballet dancer Fernanda Oliveira, Artistic Director Angel Corella, Principal Tuba Jay Krush, and Executive Director Shelly Power chat about their first memories of Nutcracker and what it’s like to dance, play, and coach this beloved work year after year.
Find out how the Costume Revival Workroom team make the elegant tutus for The Royal Ballet’s Swan Lake.
Can you imagine a party where every movement and every visual detail were governed by a complex system of rules and procedures? For centuries, such rituals were commonplace for European nobility. And while they’ve gone out of fashion, we recognize the components under a familiar label: ballet. Jennifer Tortorello and Adrienne Westwood outline the history of this graceful and precise dance.
NYCB’s first post-season mixed-bag Screen Test explores the intricacies of four Company members’ menageries of dance shoes—and how even the most meticulous pointe shoe preparation can sometimes go awry.
This next installment of our BEHIND THE BALLET series highlights the annual traditional ballet THE NUTCRACKER. Kaye takes us through the history of this popular holiday adventure, through the music, the origins, and how it came to be.
Performance highlights from the stage
EXCERPTS
The White Cat and Puss in Boots pas de deux from Paris Opera Ballet’s The Sleeping Beauty, performed by Éléonore Guérineau and Samuel Bray.
Be captivated by the jaw dropping lifts and flexibility demonstrated in the beautiful pas de deux by Boston Ballet Principal Dancers Chyrstyn Fentroy and Lasha Khozashvili.
Video by Ernesto Galan
A highlight of dance works recently performed by Sacramento Ballet.
Journey back in time to the Golden Age of Al-Andalus on the Iberian Peninsula as Jamar Roberts evokes the northern African Moors who inhabited the land prior to the Christian Reconquista. Music from Roberta Flack and Miles Davis’ Sketches of Spain sets the tone for this abstract ensemble piece.
CHOREOGRAPHER | Jamar Roberts
WORLD PREMIERE | New York City Center, 2024
ASSISTANT TO THE CHOREOGRAPHER | Ghrai Devore-Stokes
MUSIC | Roberta Flack and Miles Davis
COSTUME DESIGN | Jamar Roberts and Jon Taylor
LIGHTING DESIGN | Brandon Stirling Baker
SCENIC DESIGN | Libby Stadstad
Join Boston Ballet for the return of Plan to B, one of the first works Resident Choreographer Jorma Elo created for the Company, on stage Oct 24–Nov 3.
Video by Ernesto Galan.
Check out this clip of Return, choreographed by Robert Garland, with music by Aretha Franklin and James Brown.
Watch snow flurries fill the stage in this exclusive preview, then gather your loved ones for a night of dancing they will never forget.
Check out this short excerpt of corps de ballet dancer Dylan Wald in The Calling.
Get a sneak peek of George Balanchine’s The Nutcracker® at Pacific Northwest Ballet and meet their newest Principal Dancer, Sarah-Gabrielle Ryan as Dewdrop.
Get a sneak peek at this scene from the ethereal Kingdom of the Shades, performed by Boston Ballet. Technically challenging, it features female dancers performing in unison and requires intense focus, balance, stamina, and strength.
This enduring classic is a tribute to that heritage and to Ailey’s genius. Using African-American traditional spirituals, this suite fervently explores the places of deepest grief and holiest joy in the soul.
Get a taste of Crystal Pite’s The Seasons’ Canon with this excerpt featuring Sarah-Gabrielle Ryan & James Kirby Rogers at Pacific Northwest Ballet.
Boston Ballet gives you a sneak peek of Petal, a sensory experience of motion, light, and music. Dancers explore the evolution of their relationships with each other and themselves through sweeping movements and non-traditional partnering, energized by the music of Philip Glass and Thomas Montgomery Newman.
As part of The Met’s celebration of Hispanic/Latinx Heritage Month, we’re thrilled to release the video of “Buscando a Juan,” along with a discussion between choreographer Eduardo Vilaro, The Met’s Lulu C. and Anthony W. Wang General Manager of Live Arts Limor Tomer, and co-curator of the exhibition “Juan de Pareja: Afro-Hispanic Painter” Vanessa K. Valdés.
Alvin Ailey’s Memoria is a deeply personal work and one of his most affecting. Mr. Ailey said that nearly all of his dances had some basis in a relationship, feeling or event that he experienced. In the case of Memoria, choreographed in 1979, his motivation was the death of his dear friend and colleague, Joyce Trisler.
Highlights of Balanchine’s Stars and Stripes presented by The Washington Ballet as part of Tour-de-Force: Stars & Stripes. Performed February 24, 2013.
Using African-American spirituals, song-sermons, gospel songs and holy blues, Alvin Ailey’s Revelations fervently explores the places of deepest grief and holiest joy in the soul.
Rehearsal footage and dancer insights
CREATION IN MOTION
Trey McIntyre reveals the inspiration behind some of his choices for Wild Sweet Love, and talks about how wonderful Smuin Contemporary Ballet Artists are to work with. See Wild Sweet Love, as well as three other gorgeous works, in Smuin Contemporary Ballet’s Dance Series 2!
Video by Ben Estabrook.
Don’t miss Romeo & Juliet, the breathtaking finale to Ballet Austin’s 2024–25 Season.
Video by Paul Michael Bloodgood.
Hear from visionary choreographers Jennifer Archibald and Nick Mullikin, along with Company dancers as they share insights into the powerful and thought-provoking pieces that collectively make up this year’s Attitude series, Nashville Ballet’s final performance of the 2024–25 season.
Take a peek into the studio as Saint Louis Ballet rehearses George Balanchine’s Who Cares? for the upcoming Feels Like Broadway program.
Join Indianapolis Ballet for Family Series: Sleeping Beauty Suite, a family-friendly fairytale April 25–27 at the Tobias Theater at Newfields.
Set to a soul-stirring playlist featuring music from Jill Scott, Cymande, Caron Wheeler, and Brass Construction, The Cookout channels the dignity and passion of Harlem’s legacy.
The Cookout choreographed by Dance Theatre of Harlem’s Artistic Director Robert Garland is a vibrant work that speaks to our shared struggles and triumphs, offering a timely reflection of our strength and capacity to carry on. Don’t miss this electrifying work! A celebration of community, culture, and boundless spirit.
Get a behind-the-scenes look at Dance Theatre of Harlem rehearsing Balanchine’s Donizetti Variations, under the guidance of The Balanchine Trust répétiteur Kyra Nichols Gray.
Donizetti Variations, choreography by George Balanchine. Video by Nel Shelby Productions.
Join Boston Ballet at Winter Experience to witness history in the making. Daniel R. Durrett will be the first Black male to perform the role of Lenoid Yacobson’s Vestris. Hear from him to learn more about the technical precision of the dancing and acting this role requires.
Let San Francisco Ballet Principal Dancer Wei Wang take you on a journey through the mind of Victor Frankenstein’s tortured creature. Liam Scarlett’s captivating production offers a visceral, emotionally charged journey into life, death, love, and identity, enhanced by a hauntingly evocative score that intensifies the dark and dramatic atmosphere.
Step inside the creative process with Thang Dao as he shapes Faits Divers, a bold new work premiering at Visions—March 21–23. From concept to movement, explore how Dao weaves fragmented headlines and fleeting moments into a visceral, urgent conversation between dancers and space.
Music: Scott Buckley
Film: Colby Damon
Experience a behind the scenes look of a Golden Hour rehearsal as Joffrey Ballet’s amazing artists bring this stunning program to life. See Golden Hour February 20–March 2 at Lyric Opera of Chicago.
🩰 Victoria Jaiani, Xavier Nunez, & Alberto Velazquez
🎹 Jorge Ivars
🎥 Carolyn McCabe
This February 20–23, The Washington Ballet will unveil a world premiere ballet, a captivating and hot new work created by the visionary Jennifer Archibald.
Set to the pulsing beats of a soundscape by Foremost Poets, Jennifer’s new piece takes you inside the underground club scene. Offering you an insider’s look at the vibrant, electric, and inclusive atmosphere that pulses with euphoric energy.
Saint Louis Ballet premieres in Peck’s In Creases Feb 14–16 at Kirkwood PAC in the Valentine’s series TO LOVE. Two other ballets by NYCB alum Christopher d’Amboise and SLB director Gen Horiuchi will accompany the performance series.
Get a sneak peek into choreographer Young Soon Hue’s process as she creates a new production of the timeless classic, Romeo & Juliet, premiering February 14th at the SAFE Credit Union Performing Arts Center.
Learn about George Balanchine’s iconic ballet Who Cares? from Balanchine Trust repetiteur, Zippora Karz. Be sure to purchase your tickets to Indianapolis Ballet’s performances of Be Our Valentine, February 14–16 at the Tobias Theater at Newfields, to see Who Cares? live!
Hear from guest choreographer Ramón Flowers about the energetic and jazzy work Dixon’s Groove, featured in Indianapolis Ballet’s upcoming production of Be Our Valentine! Inspired by a life in dance set to the jazz music of Rob Dixon, this work is a true celebration of ballet.
Get a look behind the scenes at some of the artists who have debuted at the Vail Dance Festival, including New York City Ballet Principal Dancers Joseph Gordon and Sara Mearns, as well as Alvin Ailey American Dance Theater Principal Dancer Calvin Royal III.
Video by Nel Shelby Productions.
American Ballet Theatre Soloist Patrick Frenette discusses why he loves dancing in new and innovative ballets.
Have you ever wondered what it’s like to be in the room during a snow rehearsal for The Nutcracker? See Joffrey Ballet perform Christopher Wheeldon’s The Nutcracker December 6–28 at the Lyric Opera House.
Give to hear the beauty again, accompanying the beauty you see on stage. Hear Saint Louis Ballet dancers Michael Burke, Lauren Kot, Colin Ellis, and more describe the impact live music has on them as artists.
It’s snowing in the Indianapolis Ballet studios… Get a look into a Snow Scene rehearsal as Indianapolis Ballet prepares for The Nutcracker, December 19–22 at the Murat Theatre at Old National Centre!
Join Texas Ballet Theater Principal Dancers Brett Young, Alexandra F. Light, and Carl Coomer, and Corps de Ballet Dancer Anastasia Tillman, for a behind-the-scenes conversation about Ben Stevenson, O.B.E.’s The Nutcracker. Hear what it’s like to learn new roles, experience The Nutcracker from the wings, and be immersed in the magic of the stage year after year.
Choreographed by Artistic Director Laureate, Ben Stevenson, O.B.E., The Nutcracker is an evergreen family-favorite in North Texas. Set to Tchaikovsky’s original composition, The Nutcracker is approximately two hours long, including one 20-minute intermission, and is suitable for all audiences.
Known to many as the “Sugar Plum Fairy” variation, San Francisco Ballet’s Nutcracker gives a grown-up Clara the chance to dance with her Prince in the final moments of the ballet, but it’s still that same iconic music we all know and love.
Join Principal Dancer Nikisha Fogo as she shares her thoughts and approach to performing this beloved piece.
Join Resident Choreographer Lauren Lovette in the rehearsal room for Echo with the dancers of the Paul Taylor Dance Company. The new work premiered on Thursday, November 2, 2023 during the Company’s NY Season at Lincoln Center. Catch Echo during this year’s NY Season, through Nov 24.
Hear from Francis Veyette, Guest Choreographer for New Works and Indianapolis Ballet’s soon to be Rehearsal Director, about his premiere of Indy Quartet!
Boston Ballet continues its commitment to the ChoreograpHER Initiative, highlighting female choreographers. The season kicks off with Fall Experience, featuring Crystal Pite’s powerhouse The Seasons’ Canon, Boston Ballet Principal Dancer Lia Cirio’s highly anticipated world premiere, and the return of Sabrina Matthews’ Ein von Viel. Plus, Claudia Schreier’s Slipstream returns in Winter Experience after rave reviews in 2021.
In this exclusive interview, renowned choreographer Michael Pink shares insights into his upcoming production of Dracula with Sacramento Ballet. Pink delves into his creative process, the inspiration behind this thrilling ballet, and what audiences can expect from the hauntingly beautiful choreography and dramatic storytelling.
Donde van las Mariposas is the latest work in Ballet Austin’s new series, Fables of the World, which invites youth and families to explore and connect to a myriad of cultures through their tales and fables. The series is a long-term effort to program new works for Ballet Austin TWO that share stories from various cultures, particularly featuring some less-represented, non-Eurocentric perspectives.
Donde van las Mariposas / A Fable from México, translating to “Where the Butterflies Go,” from Mexican-American choreographer Jimmy Orrante is based in Mexican culture and will explore environmental and cultural themes related to the migration of monarch butterflies as well as Día de los Muertos traditions.
Go inside Paul Vasterling’s Dracula with dancers Brett Sjoblom, Claudia Monja, and Owen Thorne—each making their debut in this production.
A peek into Saint Louis Ballet’s Western Symphony rehearsals, with George Balanchine Trust répétiteur Nilas Martins.
Hear Artistic Director Stephen Mills and Company Dancers Katherine Deuitch and Morgan Stillman on the characters of Belle, the Beast, and their journey throughout the ballet.
“Fast with moments of brilliant technique and joyousness” are the words of Victoria Simon, répétiteur for the George Balanchine Trust, uses to describe Balanchine’s Square Dance.
See Indianapolis Ballet perform George Balanchine’s Square Dance, September 20–22 at the Tobias Theater at Newfields. Other works featured in the production include Twinkle, Twinkle choreographed by David Hochoy and Marius Petipa’s Raymonda Act III.
Dancers Olivia Cornelius and Julia Heiss discuss making their debuts as Giselle and the technique and artistry required to portray this classic character.
Take the plunge into the enchanting world of Swan Lake as principal dancer Sasha De Sola shares insights into portraying the iconic role of Odette.
Go behind the scenes with choreographer Jessica Lang and learn more about how she worked with The Washington Ballet to craft her new piece Coloring Silent Space.
Oregon Ballet Theatre Principal Dancer Brian Simcoe discusses his experience portraying Prince Siegfried in Christopher Stowell’s Swan Lake.
Peek into the TWB studios and hear from choreographer Silas Farley as he creates his world premiere ballet Such Sweet Thunder, set to the Duke Ellington Shakespeare Suite of the same name.
A quick sneak peek into rehearsals for The Planets, a world premiere ballet by Kristin Young Toner.
Only one week until our dancers perform George Balanchine’s Apollo alongside the Boston Symphony Orchestra in an exciting guest engagement at Tanglewood Music Center.
Take a peek at this rehearsal with Principal Dancers Patrick Yocum, Ji Young Chae and Chisako Oga, and Second Soloist Kaitlyn Casey as they get ready to perform.
Get a peek inside the studio as Saint Louis Ballet rehearse Brian Enos’ In Reel Time.
Houston Thomas is a young American choreographer who danced most of his career in Europe. His work is hyper-kinetic and deeply rooted in the classical ballet vocabulary. Check out this rehearsal footage for his world premiere A Dancer’s Prayer.
Catch a glimpse of Yuan Yuan Tan rehearsing with partner Aaron Robison in the studio as the two prepare to take on the iconic roles of Marguerite and Armand this 2024 season at San Francisco Ballet.
Hear dancers Rebecca Cornett and Lori Wilson talk about playing the iconic Princess Aurora.
Go behind the scenes of Firebird with Nashville Ballet Artistic Director Emeritus Paul Vasterling!
Choreographer Helen Pickett shares the story of her creative journey with Boston Ballet and the importance of its support through the ChoreograpHER Initiative.
Globally celebrated dancer and répétiteur Edward Watson takes you into the studios as he sets Sir Kenneth MacMillan’s Song of the Earth.
Molly Riehl is at the Sacramento Ballet giving us a sneak peek at this weekend’s Beer & Ballet. See how you can enjoy ballet while having a brewski.
Check out a rehearsal for Artistic Director Angel Corella’s bold and seductive Carmen.
Dare to experience a program that explores life and death, grace, and gravity, the known and unknown. Fall Experience features a collection of four distinct creations showcasing breathtaking and diverse artistry.
Go behind the curtain with this sneak peek at Indianapolis Ballet’s Romeo and Juliet rehearsals.
