On Stage

Ballet Austin returns Stephen Mills’ Light / The Holocaust & Humanity Project (LIGHT) to Austin for just the third time since its premiere in 2005. LIGHT tells the powerful story of Holocaust survivor Naomi Warren (1920-2016) and her journey as a member..

StellaLou, everyone’s favorite lovable rabbit, will appear onstage at Disney’s Storybook Theater in Fantasyland during the first-of-its-kind seasonal exclusive show StellaLou’s Wonderful Wishes Ballet…

The Sleeping Beauty (1888-1889) is the second of Tchaikovsky’s three
full-length ballets and was composed a full thirteen years after the
groundbreaking…

BalletMet will present a collection of three exciting new ballets in its upcoming production of A Celebration of New Works this March 10-18 at the Davidson Theatre. The program will feature three world premiere ballets, including the highly anticipated piece from dancer-choreographer Leiland Charles.

Ventana Ballet & Vitacca Ballet join hands to co-present connec(tx)ions, an intimate experience bringing dancers together from across Texas.

An interview of The Washington Ballet’s Ballet Masters Sona Kharatian and Tamás Krizsa.

Hong Kong Ballet (HKB), Atlanta Ballet and Queensland Ballet collaborate to produce the much-anticipated world premiere of Coco Chanel: the Life of a Fashion Icon by world-renowned Colombian-Belgian choreographer Annabelle Lopez Ochoa.

As dancers, we are only as good as the pieces we dance and it is a gift for a dancer to be challenged. In fact, if the work were easy or predicable, we probably wouldn’t love it so much. This program will certainly put our artists to the test in a collection of works that demonstrate technical virtuosity and artistic depth, both elements experienced to greater impact within the intimate setting of the SPEC theater.

BalletMet is bringing Dorothy and the Prince of Oz to Columbus for the second time after a successful debut during the 2017-18 season. The family-friendly ballet was originally choreographed by BalletMet’s Artistic Director Edward Liang and will be performed at the Ohio Theatre Feb. 10-12.

The idea for Giselle (1841) was inspired by two ghost stories, both read with relish by Théophile Gautier, the colorful balletomane, poet, critic, man-about-town, and staunch defender of Romanticism.