Director's Cut, Features

Director’s Cut: Eduardo Vilaro

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ON STAGE

  • Cinderella

    Dance Company: Pacific Northwest Ballet

    Cinderella
    McCaw Hall 321 Mercer St, Seattle, WA, United States
    The Seattle Times calls Kent Stowell’s Cinderella “warm and joyous and deeply moving.” This ballet combines the story you know and love with spectacular choreography, Prokofiev’s familiar score, and superb design. Travel with Cinderella from her wistful fireside, through a magical fairyland, to a dazzling palace ball. Let yourself be...
  • Eugene Onegin

    Dance Company: San Francisco Ballet

    Eugene Onegin
    War Memorial Opera House 301 Van Ness Ave, San Francisco, CA, United States
    Eugene Onegin is a richly layered and deeply human exploration of love and regret. Choreographer-in-Residence Yuri Possokhov’s world premiere brings new depth to Alexander Pushkin’s classic. This major co-production with The Joffrey Ballet features an original score by Ilya Demutsky, costume design by Academy Award winner Tim Yip, and sets...
  • Ethereal Blue to Fiery Red

    Dance Company: Indianapolis Ballet

    Ethereal Blue to Fiery Red
    The Tobias Theater at Newfields 4000 Michigan Rd, Indianapolis, IN, United States
    Step into the world of Ethereal Blue to Fiery Red, a dynamic bill from Indianapolis Ballet. This captivating program pairs the elegance of Balanchine’s Serenade, with its sweeping movement and luminous beauty, with the electrifying intensity of Boléro: au Fou, set to Ravel’s iconic score. Together, these works offer a...
Get to know Ballet Hispánico's Artistic Director.
Welcome to Director’s Cut, a fresh series of snappy, engaging interviews with ballet artistic directors all across the country. These micro-interviews blend ballet insights with get-to-know-you questions for a quick yet meaningful peek behind the ballet curtain. Whether you want to learn about a dream song to choreograph to, or the best place to grab a bite post-ballet performance, you have come to the right place.

We’re delighted to share this conversation with Eduardo Vilaro, Artistic Director and CEO of Ballet Hispánico. Born in Cuba and raised in New York City, Eduardo Vilaro moved to Chicago to pursue a Masters degree in Interdisciplinary Arts at Columbia College after performing with Ballet Hispánico for nine years. In 1999, he founded Luna Negra Dance Theater, dedicated to showcasing the richness and diversity of Latino culture. Vilaro returned to Ballet Hispanico in 2009 to succeed its founder, Tina Ramirez, as Artistic Director.

My favorite ballet step is the Temps De Cuisse, you bring one foot in front of the other and you brush the foot and they come together again.

Best local restaurants are any of the Quality Restaurants near City Center; but my favorite is Quality Italian, and they have the most remarkable chicken parmigiana pizza.

A dream song to choreograph, I actually have done that already, but I will say I just finished a work, Buscando a Juan, and the music by Osvaldo Golijov, his Saint Mark’s Passion, was everything to me.

My essential pre-show ritual is get ready, zhuzh, have a light meal, and always a glass of wine before the show.

The last book I read is Mary Magdalene Revealed by Meggan Watterson, which tells the story of the gospel by Mary Magdalene, which most people don’t know about.

Outside ballet and dance, my hobby is I’m a birder – I love birds, watching them and photographing them.

My Calendar, Microsoft Calendar, I can’t live without it, it’s life! Spotify. 

You know, I can’t remember a time when I didn’t want to be an artist, so it is something that I wanted to be and something that I’ve achieved, it’s just glorious.

I would’ve loved to have gone back in time and seen Rudolf Nureyev and Margot Fonteyn do anything, any pas de deux, any ballet.

Before becoming Ballet Hispánico’s Artistic Director, my milestone was building my own organization: Luna Negra Dance Theatre in Chicago.

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