Director's Cut, Features

Director’s Cut: Garrett Anderson

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ON STAGE

  • The Sleeping Beauty

    Dance Company: Boston Ballet

    The Sleeping Beauty
    Citizens Opera House 539 Washington St, Boston, MA, United States
    Deep in a century-long slumber, a beautiful princess and her kingdom await the power of true love’s kiss. The Sleeping Beauty enchants with a host of magical characters—from the deliciously wicked fairy Carabosse and the valiant Prince Desire, to the benevolent woodland fairies and hilarious Puss in Boots. This iconic...
  • Cinderella

    Dance Company: Ballet Idaho

    Cinderella
    Velma V. Morrison Center for the Performing Arts 2201 W Cesar Chavez Ln, Boise, ID, United States
    Ballet Idaho’s Cinderella is set to Prokofiev’s lush score and takes the audience on a narrative fairytale journey, employing all of the intricacies of classical staging yet never purely relying on convention.
  • All Lang

    Dance Company: Pacific Northwest Ballet

    All Lang
    McCaw Hall 321 Mercer St, Seattle, WA, United States
    Celebrate PNB’s Resident Choreographer Jessica Lang with some of her most beloved works. Inspired by legendary American painter Georgia O’Keeffe’s Patio Door series, Her Door to the Sky is one of Lang’s most radiant pieces. In stark contrast, Ghost Variations explores Robert Schumann’s final compositions before he was confined to...
Get to know Ballet Idaho's Artistic Director.
Welcome to Director’s Cut, a fresh series of snappy, engaging interviews with ballet artistic directors all across the country. These micro-interviews blend ballet insights with get-to-know-you questions for a quick yet meaningful peek behind the ballet curtain. Whether you want to learn about a dream song to choreograph to, or the best place to grab a bite post-ballet performance, you have come to the right place.

We’re delighted to begin with Ballet Idaho’s Artistic Director Garrett Anderson. Anderson has danced with companies such as San Francisco Ballet and Royal Ballet of Flanders, was the Chair of the Dance Department at New Mexico School for the Arts in Santa Fe, and became the artistic director of Ballet Idaho in 2018.

Pas de basque.

That’s hard, choreographing to music you love is difficult. Especially if you have danced to it. I guess I would have to say Bach Chaccone, but I will likely never do it, because nothing will compare to Artifact by William Forsythe. Thanks a lot, Bill. 🙂

Change of costume. Gotta look the part!

Skiing, cello, interior design.

Well, a ballet dancer of course. But always thought after dance I would become an architect or a psychologist

I was fortunate to perform with world class companies in some amazing places. Sold out shows at the Acropolis in Athens, or Millennium Park in Chicago or the re opening of Covent Garden were pretty incredible experiences. That said, transitioning to teaching, creating, and leading is something that was more humbling and maybe even more satisfying, though this feeling is more spread out over many tiny moments and interactions.

TRENDING NOW

Pointework’s Season III promises to be its best yet, with two world premieres and commanding contemporary works
Movement, imagination, and sweeping Americana
Pacific Northwest Ballet’s Artistic Director and Resident Choreographer on the 2025–26 Season's final program, ALL LANG