March 31, 2026
En Face Ballet Collection, the acclaimed in-theater publication dedicated to celebrating ballet, is proud to announce its newest partnership with Scottish Ballet for its upcoming performances of Mary, Queen of Scots at the David H. Koch Theater in New York City.
En Face is excited to transform the traditional playbill into a beautifully designed magazine that doubles as a lasting keepsake for audiences. This collaboration allows Scottish Ballet to further elevate the patron experience while continuing its focus on artistic excellence.
Mary, Queen of Scots is a major new production from Choreographer-in-Residence Sophie Laplane and co-creater James Bonas. It draws upon the complex relationship between Mary, Queen of Scots and Elizabeth I of England—two women who never met but whose rivalry defined an era. Laplane’s bold choreography blends classical technique with contemporary edge, reshaping their story with powerful originality into a fatal dance of sex, jealousy, political intrigue, and religious warfare.
This issue of the Scottish Ballet magazine will feature elevated design and thoughtfully curated editorial content that enhances the overall theater experience. With rich visuals and engaging storytelling, the publication offers audiences a deeper, more immersive connection to the world of ballet. A digital version of the publication will also be made available online for ballet fans everywhere.
Christopher Hampson CBE, Scottish Ballet’s CEO and Artistic Director says, “Mary, Queen of Scots ask audiences to sit with a story they think they know and discover it completely afresh. The programme is part of that experience—it’s where the context, the artistry, and the ideas come to life for the audience before the curtain rises. We’re delighted to be working with the team at En Face, whose passion for dance and commitment to the art form makes them a natural partner for Scottish Ballet.”
“Scottish Ballet represents the very best of what ballet can be today—bold, relevant, and deeply rooted in storytelling. Mary, Queen of Scots invites audiences to experience a familiar story in a completely new way, with a rare emotional intensity that stays with you. At En Face, we believe the publication should be part of that journey—transforming the traditional program into a refined, editorial-driven experience that deepens the connection between audience and performance. We are proud to partner with a company so committed to innovation and the future of ballet,” says Misty Tompoles, CEO of En Face.
Transforming the Ballet Playbill Experience Nationwide
En Face Ballet Collection is redefining the in-theater experience for ballet audiences across the United States. Through its thoughtfully curated publications, En Face provides insights into the world of ballet—from upcoming productions and behind-the-scenes features to exclusive interviews with dancers, choreographers, and artistic leaders. With a combined print circulation of 1.57 million and a social media following exceeding 6.3 million, En Face Ballet Collection connects ballet lovers with the artistry they cherish in a deeply engaging way.
Now serving 19 of the nation’s leading ballet companies, En Face Ballet Collection will produce more than 100 unique publications for the 2025–2026 season. Reaching an audience of 8.87 million across print and digital platforms—and supported by a dedicated combined base of over one million engaged email subscribers—En Face continues its mission to amplify the stories of ballet and celebrate the vibrant community behind the art form.
About Scottish Ballet
For over 50 years, Scotland’s national dance company has pushed creativity with adventurous performances rooted in strong classical technique. Led by CEO and Artistic Director Christopher Hampson CBE, the company regularly tours throughout Scotland, the UK, and internationally, performing works from groundbreaking choreographers such as David Dawson, Helen Pickett, Crystal Pite, Annabelle Lopez Ochoa, and Sophie Laplane. With a creative vision that goes beyond choreography, Scottish Ballet strives to create ballet that makes a lasting impact, develops dance as an art form, and improves the lives of future generations.
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Featured Image: Roseanna Leney as Mary, Queen of Scots and Charlotta Öfverholm as Older Elizabeth. Photo credit: Ruby Pluhar.